Topic: New England (17 posts) Page 1 of 4

Delivered 2

(wall light at the Mansion House Hotel)

Don't know what this post is about? Suggest you read Delivered 1 first.

As the morning light increased and I walked around the town I began to feel some old muscles coming back to life. "I wonder that this will look like? What if I put this up against this? Include this in the frame or not? Move in or out? Darker, lighter, more DOF, faster shutter?" All those decisions to make, ingrained in my make-up over so many years being a photographer starting to surface after so long  dormant.

At the end of the long interview with Linsey Lee at the Museum for an oral history I found myself saying that I felt we were at the very edge of things getting better. We had voted out the most terrible of presidents in our lifetimes, democracy had survived a real test January 6 when the capital was breached, and, although the stats are truly horrible with 410,000 dead from COVID 19, I believe Biden will work hard to get us back on track with the vaccine as quickly as possible.

Are we just now starting to see the end of this nightmare we've been living in? Is this the very beginning of the end? Yes, I believe it may just be.

The show installed

Topics: New England,Color,Digital,Northeast

Permalink | Posted January 22, 2021

Delivered 1

My daughter Maru and I delivered the ABOVE show to the Martha's Vineyard Museum on the 19th and were put up in the Mansion House Hotel nearby that night. The next day (Joe Biden's inauguration day) we were back at the Museum at 9 as they had scheduled an interview and video session for me to answer questions for an oral history. 2 hours later we were in line for the ferry back off the island, the idea being the less exposure and the less contact the better. We were away 24 hours.

Although Martha's Vineyard is where my family summer home is, this was a treat of unimaginable proportions. Spending time with Maru, being someplace different, seeing my work coming to life, sleeping in a different bed, being OUT. I pledge not take travel for granted ever again. 

I got out at dawn the 20th to walk with a camera before my interview. No big deal, but to see, to exercise that visual part of my psyche was wonderful.

From the hotel's roof deck at dawn

and walking around Vineyard Haven

I'll put up a few more in Delivery 2 next.

I am told the show is up and will be viewable tomorrow, January 22. The Museum is open, with attendance restricted. I advise calling ahead: 508-627-4441.

Note to all those who have worked on this show and sought to bring it to view at the Museum. You are fantastic and I am very grateful. What an honor to have my work shown there.

Topics: Northeast,Digital,New England,Color

Permalink | Posted January 21, 2021

MT View Estates

Mountain View Estates: what comes to mind? A series of Tyrolian style cottages nestled in a pasture looking over the Swiss Alps, perhaps? Or a gated community of high-end homes with a grand view of the snow-capped Colorado Rockies?

Not at all. Mt View Estates is a housing development sitting on a hill above a gravel pit in White River Junction, Vermont.

I found it in 1991:

It blew me away and became an obsession, as these things do, for about a year. Here are a few more:

Hypothetical: local builder gets word that the old gravel pit up the hill is going on sale. His uncle is on the town planning board so they cut a deal that will allow the builder to buy the land cheap and put houses on it around the perimeter of the actual pit. Rules are bent. There is only a passing discussion about whether some of the new homes might slide into the pit. They both make out like bandits.

Last picture in the series:

A dead bird. 

Prints are about 12 inches square and are analog, printed by me, and archivally processed. They are in A+ condition. There is only one set.

Box where the negatives are stored.

The full series is on the gallery page of the site: Mt View Estates

Wishing you a warm, safe, and excellent holiday. May 2021 bring us all relief from this godawful pandemic. I do believe things will start to improve on January 20th.

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Topics: New England,Northeast,Analog,Black and White

Permalink | Posted December 20, 2020

1978

1978. A very long time ago. 42 years as I write this in 2020. Wow! Funny about time, yes?

Last week I wrote a blog about going through old analog work and throwing away most of it: Cold Wet.

In one of those boxes, I came across some work I haven't seen in over 20 years. 14 x 17 inch black and white unmounted prints from Martha's Vineyard that were in a two-person show I had with my mother in an earlier iteration of the Granary Gallery  on the island. (The full show is now on the site: MV Show 1978)

She and I showed together a few other times, but always in group shows. I remember one show in the 80s that included my two sisters and two brothers-in-law.

But this one in the summer of 1978 was just she and I. My mom was a career painter, moving in and out of making work when she could while bringing up three kids and working. One of the things I learned from her was that change was good. From watercolors to oils to acrylics to woodcuts to cut paper she liked to shake it up. The show we had at the Granary was cut up paper, specifically Color Aid, which were silkscreened color pages you could buy as a kind of book with perhaps a hundred or so beautiful colors. She made landscapes out of them layering the colors to take you through to a horizon and a sky. I wish I had one or two to show you. They were beautiful.

My work in that show? I thought you'd never ask. Black and white (that was all I did until about 2002), square pictures, of things I'd found of interest on the island the year or so before.  Not much cohesion except they were all made on the island.

I don't remember the opening very well but am sure it was primarily friends and family. I was single then and hadn't a kid yet, teaching at New England School of Photography in Boston and would begin that coming fall teaching at Harvard.

The photographs are quiet and contemplative, smart in that they are of things that render well as photographs, juxtaposing visual elements with at times a sense of humor or irony but also real love for what I saw.  My response to seeing them now, so many years later? They hold up all right. These were made a few years after graduate school by a young artist still working to find his voice and shirking off influences. I believe your work is your work. To put down earlier work because now you're " so much better"  denigrates and diminishes rather than simply looks at art from the time in which it was made. Context is all.

This one, the last in the show, needs a little explanation. About 1976 the Fogg Museum at Harvard had a show of some recent photographs by Robert Frank. Rough, blurry and scratched, many of the prints were from Mabou Mines where he spent time with his wife June Leaf. It is where he made several of his films and by then he no longer considered himself a photographer as he'd moved on to making films. One set of pictures in the show were of a post, some gray sky, some land, and the ocean. Minimal and spare.

These from Lines of My Hand, photographs by Robert Frank

He made them in response to getting the news that his daughter Andrea had been killed in a small plane crash in Guatemala. It was her winter coat he placed on the post. I had been moved to tears when I saw his pictures that day at Harvard. When I saw this single pole sitting on the bluff near a lighthouse at the Vineyard I thought of Frank's pictures right away. So I made a picture in tribute and out of respect to him and the tragedy of losing his daughter (Thanks to Michael Hintlian for setting me straight about this).

***

Finally, as I write this in November 2020, I am beginning work on a new show of my work to be at the Martha's Vineyard Museum in late January 2021. These will be color aerials, some made in 2012 and 2013 and some made in 2019. The work I donated to the Museum this past fall will also be included in the show. More details to follow soon. 

So there are three generations of my work from the island: the show in 1978, the work I donated this fall to the Museum shown in 1995 and this new show coming in January. How cool is that?

Topics: New England,Martha's Vineyard,Black and White,Analog

Permalink | Posted November 19, 2020

The Show Addendum

In The Show 1,2,3,4, I gave some perspective on photographic prints I was donating to the Martha's Vineyard Museum from a one-man exhibition I'd had on the island in 1995.

In this, the addendum, I'll share with you the handing over of the 21 prints to the Museum. 

On a bright, sunny, and very windy day in early October 2020 my daughter Maru and I arrived at the scheduled time, prints in hand, and masks on. As it turns out the Museum is open but restricting the number of visitors.

Photos are by Maru:

We put the two portfolios out on white tables and went through the prints one by one with Bonnie Stacy, the Museum's curator.

Taking masks off for a second, we held one up I took of Keith's Field in 1993.

We then went upstairs to the library for me to sign a donor's form.

This gave me a chance to ask some questions of Bonnie: how the prints would be stored, whether they would show them, and so on. She showed us a couple of galleries that would be suitable for my work and said they were considering some ideas about putting them on display.

I then signed the "Deed of Gift "form ceding the prints to the Museum, giving permission to use them in any way they wished, including selling them, but I retain the copyright. This simply means that while they now owned the original prints from the show 25 years ago I retained the rights to use and own the imagery.

Then we left. Thanks to Maru for her help throughout this project

So that's the end of the story of donating prints I made 25 years ago to a museum on Martha's Vineyard, Massachusetts.  

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Topics: New England,Martha's Vineyard,Analog,Black and White

Permalink | Posted October 8, 2020