Topic: Color (92 posts) Page 1 of 19

New Camera

I have a new camera. If you've read the blog before you know it isn't very often that I discuss equipment. Mostly it seems not so significant to me what kind of camera is used. But there are shifts occurring once again in the industry and this new camera, a Nikon D850, is one of the new tools in digital photography that is moving us ahead.

Edgartown, MA

Although it is difficult to show how good images are online, this 300% crop shows little noise and is quite detailed:

My previous camera, a Nikon D810, had been my primary picture maker for several years. A very good camera, it made files that I could count on:  for quality, for color, for tonality, dynamic range and for sharpness, even at quite big sizes. It wasn't perfect but it never failed me and got the job done, really all I could ask for in a camera in which to make my art.

Since I've only had the new camera a week and made just a few prints, I can't speak to its inherent goodness yet. But it feels right and its MP size is significantly larger, which should allow bigger prints at higher fidelity. Odd that we are so very dependent on a tool to make our pictures, but that's photography.  In my analog days, I was dependent on three tools to make my pictures. Early on the Rollei SL66 was front and center in the 70's, then the Superwide Hasselblad. Then I was wedded to the Toyo Field 8 x 10 for 25 years, connected at the hip to a large, cumbersome and very heavy camera and the three lenses I used ( and the tripod to mount it on!). Now I can get virtually as high a quality image with a camera I can hold in my hand and sling over my shoulder. Dreams do come true sometimes.

Current thought seems to be that large chip DSLR  days are numbered and I can believe that. The D850 is too large and heavy. I also use a full chip mirrorless Sony camera (A7r MK ll) and find it very nice to travel with. It is not as refined as the Nikons but nevertheless capable of wonderful files.

Simply enough, the bar is now very high in terms of the equipment we can use. We are at a high level of maturity in digital imaging and the devices are increasingly sophisticated and impressive in the quality of the results. Is the hype we are barraged with everytime a new camera is announced a true guide of its significance? No, but this one, the Nikon, and the new Sony A7r MK lll are genuine steps forward, I believe.

I have already learned, for instance, that in order to capture everything at the highest of quality you must make sure this new Nikon is held steady. Bring your A game to this tool for it requires it. Marginal quality lenses will not cut it either.

So, my apologies for coming down to earth to speak about equipment in this blog. I assume most of the photographs I'll make for a while will be from this new camera. I am looking forward to sharing new work made from the D850 Nikon with you.

Stay tuned.

BTW: I'll have prints of these images and others at the Allston Open Studios coming up in December.  Hope to see you there.



Topics: Camera,Northeast,Digital,Color,New Work

Permalink | Posted November 29, 2017

Mt Tamalpais

I am in California for a few days this week visiting my sister, who lives in Berkeley.

We are headed out to have a picnic lunch today at Mt Tamalpais, which you can drive up. From the top you can see all of San Francisco Bay, down to Marin, a good deal of Richmond and down towards Oakland, etc. It is a glorious place with a trail the runs right around its circumference. 

I have photographed quite a bit at Mt Tam over the years, including the original "Mountain Work" series made in the late 80's:

and in more recent years too:

including driving up it one morning in 2015 in fog:

that slowly burned off as I walked the trail:

Mt Tamalpais. One of my favorite places.

Topics: West,Northwest,Vintage,Black and White,Color,Digital

Permalink | Posted October 25, 2017

Gail Hill

My very good friends, the artist Gail Hill (Website) and her husband Hal Kay from Toronto couldn't make it this fall for a visit to Martha's Vineyard. Via emails and text messages Gail's been bugging me to at least share some pictures with her, since she couldn't be here.

So, here we go:

Oak Bluffs, taken two days after the mass shootings in Las Vegas

I photograph most days while here, usually centering on a specific place, and go back over and over. This time it is Oak Bluffs and it is difficult because it is so very familiar. I have been trying to see it with new eyes, as if for the first time.

Gail Hill is a very special person, with an active art career that spans photography and painting as well as playing a large role as a career advisor and mentor  (Creative Self) to many many in Toronto. She also is a wonderful cook.

Menemsha

I occasionally photograph from my kayak, as above. This falls into the "high risk" category but I try to pick calm water and slight wind. This from Poucha Pond above the famous Dike Bridge on Chappaquiddick where May Jo Kopechne lost her life in the car Ted Kennedy was driving one night after a party.

I hope you like these, Gail. Wish you were here.

Topics: Martha's Vineyard,Color,New Work,Northeast

Permalink | Posted October 4, 2017

Thursday

Let me tell you about this past Thursday. 

Note: There will be a few posts on this one topic. This is a project that combines aerial photographs with ground-based imagery.

While Texas was bracing for the arrival of Hurricane Harvey and Donald Trump was about to pardon former sheriff Joe Arpaio I was in Vermont photographing the Connecticut River. Far less newsworthy I admit but nevertheless big in my world. It was quite a day with two distinct parts to it.

Warning: the pictures shown here simply aren't going to do anything for you by seeing them on your phone. I make pictures that are way up there in terms of resolution, sharpness, tonal range and color rendition. When you do get to see them on a good color display you can click on an image and it will expand to a larger rendering.

Part 1

Photographing The River is a project that has crept up on me. There was no thunderbolt of inspiration, no big epiphany here, just the quiet realization that every time I drove over it, or kayaked down it I was fascinated with what it showed me on its banks and what went on behind them.

This harkens back to my project called Tom's Neck from a few years ago. Very often on a shore or embankment on a river, stands a row of trees, acting as a wall or a barrier to what is behind them.

So this summer I've been photographing the river, usually from one shore pointing across at the opposite one, although sometimes from a bridge. Thursday I went up in a plane to get at it from above, starting at RT 2 in Turner's Falls, MA and flying up to Bellows Falls, VT and back. 

My day started here:

at the little airstrip at Turner's Falls.

The day was perfect.

Right away the river opened up to reveal its secrets. Of course, it was magnificent:The Connecticut River is an "old" river along southern Vermont and northern Massachusetts. No rapids or fast water and usually quite wide, with a few islands along the way. The river valley through here is heavy-duty farming country, with large crops of hay and corn but also squash, tomatoes, melons and even hops for beer:

In late August it all comes to fruition. The corn is high and they're practically giving tomatoes away.

As the pilot and I skimmed along at about 800 feet above the water in a high winged Cessna it was easy to follow the river as it meandered north. Since I was in the right seat, I pointed out the open window with my camera at the eastern bank on the way up and the western bank on the way down.

As we approached Brattleboro the river widened out into marshes:

Next up? More aerial photographs of the river and then on to part two of my day. My trip in the excursion boat the Lady Bea with a group from a nursing home.

Turf Farm near Greenfield, MA

Topics: Spring,Color,New Work,Digital,Northeast,Tom's Neck

Permalink | Posted August 27, 2017

Landscape

What? When confronted with the amazing landscape of Iceland I am not going to point a camera at it?

Current thinking is that landscape is over in art photography. That it's all been done.Well, not by me it hasn't and your loss, I believe, if you don't care to look at landscape work. I do look at it and do make landscape photographs but it's not the only thing I care about. Tale a look at the gallery page of my site for examples. And yes, I see a great deal of quite bad landscape photography. Last week I drove through some truly remarkable country, up and over a couple of mountain passes on gravel roads. I'd be a fool not to photograph it.

Take your breath away places. Have to stop places. Game of Thrones kind of places.

Not for iPhones, this. Long lens, tripod, low iso, best aperture and extreme care.

As I begin to work the files now back at home,  go through the various days I was shooting, one thing prevails. Iceland is incredible. I know, it is touristy and overrun with photographers of all kinds,

serious and perhaps not so serious

My approach?  Always seek out a quieter place, someplace off the path traveled  by everyone else

maybe at the top of a mountain pass up in the clouds.

This is "reactive" work in that I am reacting to something in front of me that is spectacular and perhaps moving.  Grand landscapes have done that to people forever, I am sure.

Look at the British, American and Italian romantic landscape painters, for instance. Those lush and over-the-top utopian paintings just slay me. Garden of Eden and paradise on earth paintings that are masterful and consummate.

(Sorry: no attribution. Seen three years ago in Italy. Do not remember the artist.)

I am printing the Iceland landscape pictures now and will place them on the website soon. More to come from Iceland, land of my dreams.

Topics: Color,Iceland,Digital

Permalink | Posted August 15, 2017