Well, things got a little crazy the past two weeks or so. First Skye (my granddaughter) came back from camp in NH early due to getting Covid and then Maru (my daughter) got it at the end of Skye's quarantine. We live close enough to one another that I have either been at the studio or off on a road trip.
Last week I took 48 hours and drove to Burlington, VT to shoot. The weather was wonderful and I shot enough to feel like I was successfully renewing earlier days when I was very prolific. I've been printing the past 2 days and there are good pictures, thank God.
Driving northern Vermont's back roads behind the wheel of this
was just plain fun. Do you know that going through Smuggler's Notch the road goes down to one lane but is still two-way? That had its moments.
Smuggler's Notch, NH
At this point, I ask not so much: well framed, well exposed, cleanly seen and above all enough perception to make pictures that are smart.
I make no excuses but it has been a long time dry. Hard to not be cynical, to not regard photography as something largely in the rearview mirror. Much time in the studio since moving in February; editing, filing, labeling, including contextual information with bodies of work, updating the archives' database, etc. Probably too much, as looking back makes it hard to look forward. With friend Gail here from Toronto a few weeks ago giving me a needed kick in the butt I am looking forward again.
Put your eye up to the finder, look, compose, wonder, set focus, hold the camera steady, trip the shutter, think: different angle, different focus, lower, higher, needs different time of day or different time of year? After all, what are the chances that as you stand in front of whatever, you are there at the best of possible times? Remote at best. Or, are you in front of it with a camera because you've spotted it at the best of possible times? Who's to say?
Ah, perfection is elusive. And can be dull too. Let a little humanity in there, a little roughness around the edges, a little something wry, twisted, organic, intuitive and felt. Try not to make past pictures over and over, but be adventurous and provocative.
Wake up! Approach your subject like a hunter, after your prey. Analyze it, think it over, and look critically. You are making photographs, a medium where being done well is exceptionally difficult. Look at the genius of the masters that preceded you. Do you aspire to that? Bring your A game.
The blog now has a comments section. Feel free to respond. Confirms my efforts.