Ready to Edit
What's a photographer to do? Confined to staying at home, itching to be out in the world making pictures. He edits, of course.
Here I am ready to go to work, a fresh pot of coffee to my right files up and running in Lightroom. I'd been photographing lately, before we got shut down, along the confluence of the Assabet and Sudbury Rivers as they become the Concord River. Because it is close and easily accessed I have probably photographed it a dozen times or so. I even made a poster of it:
This way of working, going to a place, again and again, is a holdover of my 8 x 10 days. This is a slow, contemplative, disciplined system, seeking the best light and the ideal conditions in which to make a picture.
I don't know how you work but I do not print in the small apartment where I live. That is reserved for the studio a few miles away. But because I have this laptop and good monitor (and it is calibrated) I can work the files here, transfer them to a hard drive and take them to the studio to print them there.
The editing part has turned out to work well for I am no longer going to the studio as it seems risky. Go through your back files and I am sure you'll find tons of things to work on.
For instance, before all hell broke loose with Covid-19, my assistant Jillian was tasked with scanning 8 x 10 negatives. What a job! 25 years of large format negatives that are dusty with some that are scratched and with uneven agitation,
to scan, to clean with the cloning tool in PS and make ready for printing. Although Jillian does many other things for me and is most valued for all that she does, this is her primary role.
I suspect some of you may be in the same predicament. The reality is if much of this work is not scanned and made ready to print... and then printed, it will not see the light of day, ever. I know that effort in doesn't result in great art as a result but nevertheless, 25 years' worth of work thrown in a dumpster after I am gone is a sobering thought.
So, we are slowly making some of this work, a highly selected group, yes, into portfolios of prints. These we will add to the many sets of photographs I darkroom printed at the time to form a survey of the 8 x 10 years, about 1980 to 2005.
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Don't hesitate to communicate, to reach out with questions and your thoughts. Also, the back catalog of my posts for the past many years are all searchable and available on this page. In this time when we are so blocked off from each other, it is important to keep our lines open. I can be reached: here.
Once again, I wish you all well in this odd, alarming and disastrous time. Stay as safe as you can, we will get through this. I am sure.