Odd. You would think the short series called Moses Lake 2 would be preceded by Moses Lake 1. But it is not.
Let me give you a little context. In the 90s I was steaming on several fronts. Still shooting in black and white 8 x 10, I was making yearly trips to photograph in the wheat field country of the Palouse in eastern Washington. But I was also shooting with the Superwide Hasseblad mostly handheld.
In those days I often would fly west to Seattle or Portland and drive back east in a rented car to Colfax or Pullman, which served as a base for ten days or two weeks of photographing in the wheat fields.
Washington is a big state and, once over the Cascade Mountains, it is dry and desert-like. Inevitably, after several of these trips driving east I was going over the same territory. Driving on Rt 90 I would go right through Moses Lake, a small town in the middle of the State. In the mid-90s the town was experiencing a housing boom. As I was photographing all sorts of housing in those days, I stopped to photograph one development under construction where, I learned, the builder was able to put up a house a week.
Moses Lake 2 was the 2nd time I'd photographed homes under construction in Moses Lake.
The two prevailing characteristics were the water tower and the incredibly black pavement which had just been rolled out, in fact, hot under my feet.
I made Moses Lake 2 prints on Kodak Polymax paper 11 1/2 inches square. They are over matted to 16 x 20 inches and are available for viewing at my studio in Acton, MA by appointment: here.
Oh yes, Moses Lake 1? Didn't make the cut.