Golf swing, baseball's at-bat or throwing to first base, tennis, almost anything in sports: I can remember my ski coach in high school yelling at me to "follow through!" in the giant slalom. Well, it's important in making art as well.
After three years of photographing almost daily every morning before class in Spruce Pine, NC while teaching at Penland School of Crafts, I approached the subject this year with genuine doubt that I could contribute anything new. When you've grown to know an area it is harder to eke out new material. But I went most mornings, sometimes with a few students, more often on my own.
Of course, the last time I photographed in the town it was 2014. That's a lifetime in digital photography and I was working a few weeks ago with a present-day camera which upped my game. Back then it was the Nikon D800E, a breakthrough camera with some serious problems. It had a tendency to vibrate, making pictures that were blurry.
What did I find? This was work this time, the pictures not coming so easily, the fluidity of being in a groove harder to come by. I did make some discoveries, however, and learned that I didn't know this small town as much as I thought I did. I learned that I could speak in very subtle tonalities and colors, conveying huge amounts of information, that less can be more and that it isn't always necessary to scream your point. I learned to let the pictures speak, working to impose less upon them, as most good photography doesn't need to feed the photographer so much. Although working mostly with the same focal length lens as before, I worked to utilize its attributes better rather than to minimize its shortcomings. And finally, this was photographs made under no pressure, as there is no one beating down my door to see this work, no show I am working towards, no one, in fact, knows what I did. Very freeing, this.
If left to your own devices and mindset, free from outside influence, what is your art like? Mine becomes quieter, as I am no longer looking for the "star" image, no longer thinking that I am a career professional with a reputation to maintain. I can be a student of the medium again. This is really it, the reason we do this, photograph so obsessively, looking looking looking. Let the picture come out, let the content drive the agenda instead of imposing yourself upon it. Become that kid in you, become that person seeing these things for the first time, wondering at what is displayed in front of your camera.
This is what I discovered in Spruce Pine, North Carolina in the end of May and early June, 2018:
Want to see more? These, of course, are just the introduction. Want to see all the Spruce Pine work? Want to see actual prints?
Easy. Email me: Neal's Email.