After now almost two months of working on the new prints called Monsters for the show coming up in September at 555 Gallery in Boston titled "Wild Thing" I have learned a few things and I thought I'd share my experience with you.
Making prints from a project, be it for a portfolio or for an exhibition, is a process. There are steps, necessary as an evolutionary process, that must be taken. These are things that can't be rushed or corners cut to get to a final result. This is true at least for me. I believe it is very important to set enough time aside for these steps to happen. I started working on the new Monsters pictures around July 4. They are now finished with the last step being to move them to the gallery, unpack them and hang the show. So, my personal process of editing, printing, reprinting, changing sizes or cropping, reprinting, mounting and then framing is now about to go into a more public process of interaction, final editing, and working with the gallery to hang the work. Then, finally, when the show opens my work goes public. But as this progresses from singular decisions and all the results inherent in that to a more public place my role is no longer active. In some sense, the job being finished, my role is over. I just need to show up.
The Monsters show, framed and packed for moving to the gallery.
This is all good, of course. I am honored and privileged to be allowed to take my work through this process and I am indebted to 555 Gallery for the opportunity. For a sense of perspective, much of my career was spent making work with no clear objective in sight, no place to show it, no one expressing an interest in it or, in fact, even knowing it existed. But what I've learned or it seems relearned is that while the gains are large, that I am showing new work soon, there are losses too. This whole "print for a show" thing? In this case, it was all consuming. Not much time off, few new photographs made, few laughs and fun times and, whatever work I did make, made without enough concentration.
Where there have been other activities going on they have centered around making a catalogue for the show, sending to press the Essays on Photography book that is being printed now, and some advance publicity for the show. There are now even Moo cards made of the Monsters work:
Why? For the sheer fun of it. Also, I've been dealing with theses images and more in large sizes for so long it's great to be able to see the cast of characters in cards, as these have become my coconspirators, my friends. Suffice it to say, we are very close. If you see me, ask to see my cards.
While proud of the new work and looking forward to is unveiling, I am missing time spent on making new work. To that end, there is some travel coming up that should put things back on course. Coming up in a week or so I fly to Salt Lake City, Utah to make aerial photographs of the salt flats and the shoreline of Great Salt Lake.Thanks to Google Earth I can show you where I am headed:
I'll be back for the opening at 555 Gallery September 12.
Hope to see you there.